ÜBER "PARA-SITES", NATIONEN, ÜBERSCHIESSENDE KULTUREN, DEN TANZ UND SEINE KONTEXTE

Von Fred Arctor

CHANDRALEKHA GROUP'S "SHARIRA – FIRE / DESIRE" AT REPUBLIC

by Kate Mattingly

Provocative, esoteric, familiar, sensual – some of the words that came to mind watching Chandralekha Group's "Sharira – Fire/desire." These impressions, both contradictory and strong, led to deeper thoughts about appearances, references and cultural exchange.

ZWEI PARALLAKTISCHE FAHNENSPRÜCHE

Von Helmut Ploebst 

by Hu Fang

   I was drawn unconsciously into a wonderful place. Room after room emerged from the shadows. Five doors opened in succession, dividing into five different colours, five different worlds. I can still remember today the astonishment that I felt at the time. In the overcast cities in which we live today, it is rare to see such a fantastic scene.

FRAMES AND PERCEPTION, A MEANDERING LOOK AT PERFORMANCE AND LIFE

by Kate Mattingly

Some thoughts about the occasion of a festival and the significance of seeing performances, exhibitions, films and discussions with artists from other places: Well-aware of the impossibility of understanding a culture through a handful of events, I also see the essential nature of these offerings in a time when technology and news media construct the lens through which we perceive countries and cultures.

The Indian choreographer PADMINI CHETTUR about her country, her culture, and her work. A talk with Daniel Aschwanden and Helmut Ploebst.

ABOUT HOW ART CANNOT SAVE WORKERS

by Kate Mattingly

Does globalization create a flattening of identity? How do cultures respond to issues of imitation and authenticity? How is "the local" represented in a global world? How do the arts propagate the self?

SZENEN EINES FESTIVALS

Von Daniel Aschwanden 

A LUNCHTIME CONVERSATION AROUND SOME KEYWORDS BETWEEN CHOREOGRAPHERS PREETHI ATHREYA, SUJATA GOEL AND TAREK HALABI WITH ITALIAN FOOD PREPARED BY AN INDIAN COOK IN SALZBURG

by Daniel Aschwanden

PALIMPSESTE DER REPRÄSENTATION - EINE LEKTÜRE IM JEDERMANNSANZUG

Von Fred Arctor

DAS VIDEOPROJEKT "PUBLIC SPACE" IM RAHMEN DER AUSSTELLUNG "EN ROUTE - FROM COUNTRYSIDE TO CITY", KURATIERT UND KONZIPIERT VON WU WENGUANG

Von Peter Stamer

ROYSTEN ABEL UND "THE MANGANIYAR SEDUCTION" AUS INDOEUROPÄISCHER PERSPEKTIVE

Von Peter Stamer

EIN NACHTRAG ZU PADMINI CHETTURS STÜCK „PAPER DOLL", AUS DEN NOTIZEN

von Daniel Aschwanden

EIN MICHAEL KOHLHAAS AUS DER MONGOLEI, DAS CAFÉ DES GROSSEN BRUDERS UND AVIJIT MUGUL KISHORES LIEBE ZU SEINER FAMILIE

Von Peter Stamer

NACH DEN ARBEITEN "TONGUE'S MEMORY OF HOME" UND "LEFT CHEEK" DES KÜNSTLERKOLLEKTIVS ZUHE NIAO AUS SHANGHAI

Von Peter Stamer